XII. Non-Diatonic Chords
Secondary Dominants.
Life was too easy when a key center had only one dominant chord.
C Major:
| CMaj7 | Am7 | Dm7 | G7 |
| Imaj7 | vim7 | iim7 | V7 |
Secondary dominant chords increase the feeling of tension and therefore add interest. Here’s the same progression with secondary dominants.
| CMaj7 | A7 | D7 | G7 |
| Imaj7 | V7/ii | V7/V | V7 |
* The overall key center does not change with the addition of these chords.
* Major triads may be used instead of complete dominant chords.
* A secondary dominant chord may be left unresolved.
| CMaj7 | A7 | F | G7 |
| Imaj7 | V7/ii | IV | V7 |
Major Key Secondary Dominants
This is the complete list.
| I7 | II7 | III | VI7 | VII7 |
| V7/IV | V7/V | V7/vi | V7/ii | V7/iii |
* There is no V7/vii.
* IV7 occurs but it is not considered a secondary dominant.
Minor Key Secondary Dominants
| I7 | II7 | bIII7 | IV7 |
| V7/iv | V7/v | V7/bVI | V7/bVII |
Write out the possible secondary dominants in various major and minor keys.
Modal Interchange
In a major key progression, chords may be borrowed from the parallel minor
key.
Here are the chords in A major and in its parallel minor, A minor.
| A | Bm | C#m | D | E | F#m | G#dim |
| Am | Bm7b5 | C | Dm | Em | F | G |
Here is a chord progression interchanging the two, with the borrowed chords highlighted.
A Major| A | F#m | D | F | G | A | Dm |
| I | vi | IV | bVI | bVII | I | < >ivm |
In a minor-key progression, chords may be borrowed from the parallel major.
| Am | F | D | G | A | C |
| im | bVI | IV | bVII | I | bIII |
Write the keys and chord functions and qualities, and label instances of secondary dominants and modal interchange on Beatles songs or other pop music.
Flat-Five Substitution
This is also called tritone substitution. A dominant chord may be replaced by a dominant chord a b5th away from its root.
| Em7 | A7 | Dmaj7 |
| iim7 | V7 | Imaj7 |
| Em7 | Eb7 | Dmaj7 |
| iim7 | bII7 | Imaj7 |
| Em7 | Eb7 | Dmaj7 |
| iim7 | bV7/V | Imaj7 |
| E | G#m7 | C#7 | F#7 | B7 | EMaj7 |
| E | G#m7 | G7 | C7 | B7 | EMaj7 |
| I | iiim7 | bV/vi | bV/ii | V7 | Imaj7 |
